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UPDATE 14 November 2024

Final Cut Pro 11 begins a new chapter for video editing on Mac

Intelligent new features, time-saving tools and new creative options come to Final Cut Pro across Mac, iPad and iPhone, plus editing for spatial video
iPad Pro shows Final Cut Pro for iPad 2.1, and MacBook Pro shows Final Cut Pro 11.
Apple unveiled Final Cut Pro 11, beginning a new chapter for video editing on the Mac, along with Final Cut Pro for iPad 2.1.
Today, Apple unveiled Final Cut Pro 11 — supercharged with intelligent new features — along with powerful updates to Final Cut Pro for iPad, Final Cut Camera and Logic Pro. Offering new tools like Magnetic Mask and the highly anticipated Transcribe to Captions, Final Cut Pro 11 for Mac1 also supports the import, edit and delivery of spatial video projects directly to Apple Vision Pro.2
Final Cut Pro for iPad 2.1 advances the touch-first editing experience with support for Enhance Light and Colour; new Live Drawing inks; haptic feedback; even more built-in content, including colour-grading presets and dynamic soundtracks; and other meaningful workflow improvements.3 Final Cut Camera 1.1, the intuitive pro recording app for iPhone, adds support for 4K120 fps recording on iPhone 16 Pro, the ability to apply a preview lookup table (LUT) while recording, and capture of Log-encoded HEVC video for smaller file sizes.4 And to supercharge song-writing, beat-making, producing and mixing, Logic Pro for Mac 11.1 and Logic Pro for iPad 2.1 add support for a new Quantec Room Simulator plug-in.
The new versions of Final Cut Pro for Mac and iPad, Final Cut Camera, and Logic Pro for Mac and iPad are available today on the App Store.
“Our creative apps give artists, producers, directors and editors around the world the tools they need to express themselves and realise their artistic vision,” said Brent Chiu-Watson, Apple’s senior director of Worldwide Product Marketing for Apps. “With the power of Apple silicon and state-of-the-art machine learning capabilities, Final Cut Pro and Logic Pro are faster and more intelligent than ever. These latest updates give creative professionals more stylistic interpretations to explore — whether that’s with fine-tuned masking for colour grading or amazing sound processing — and greater versatility and efficiency in their workflows.”

Final Cut Pro 11

Final Cut Pro 11 takes full advantage of Apple’s M-series chips, introducing the powerful and intuitive Magnetic Mask; Transcribe to Captions5, a highly requested feature that provides fast and accurate closed captions; spatial video editing; and a range of time-saving tools and workflow optimisations.

AI-Powered Features

In Final Cut Pro 11, editors can access two all-new AI-powered tools: Magnetic Mask and Transcribe to Captions. With Magnetic Mask, editors can effortlessly isolate people and objects in a video clip without the need for a green screen or more time-consuming rotoscoping. This powerful and precise automatic analysis provides additional flexibility to customise backgrounds and environments. Editors can also combine Magnetic Mask with colour correction and video effects, allowing them to precisely control and stylise each project. And with Transcribe to Captions, closed captions can be automatically generated in the timeline using an Apple-trained large language model that transcribes spoken audio.
Magnetic Mask and Transcribe to Captions join existing AI-powered features made possible by Apple’s Neural Engine, including:
  • Smart Conform to easily make social media–friendly versions of projects in square or vertical formats.
  • Enhance Light and Colour to automatically improve the colour, colour balance, contrast and brightness of video or still images.
  • Smooth Slo-Mo to generate and blend together frames of video — including footage captured on iPhone 16 Pro in 4K120 fps — for the highest-quality movement.
  • Voice Isolation to enhance speech and optimise sound levels while reducing background noise from audio captured in the field.

Spatial Video Editing for Apple Vision Pro

Spatial video allows users to capture life’s precious moments and relive them on Apple Vision Pro. Final Cut Pro 11 now supports spatial video editing, allowing editors to import their footage and add effects6, make colour corrections and enhance their projects with titles. The depth position of titles and captured footage can also be adjusted during the editing process. Spatial video clips can be captured directly with Vision Pro, or on iPhone 15 Pro, iPhone 16, iPhone 16 Pro, and Canon’s new RF-S7.8mm F4 STM DUAL lens paired with Canon EOS R7.7
Users can choose from various viewing modes to preview the left- and right-eye angles on their Mac display. And with Mac Virtual Display8, they can bring their edit into Apple Vision Pro, creating an enormous, private and portable display that’s ideal for complex workflows. Later this year, users will be able to expand Mac Virtual Display to a new panoramic size, creating a massive 32:9 ultra-wide curved display that’s equivalent to having two 5K monitors side by side. Spatial videos can be exported directly to a user’s Photos library, viewed immediately on Vision Pro, or shared with others by uploading them to the native visionOS Vimeo app.
Spatial video editing capabilities in Final Cut Pro 11 are shown on MacBook Pro.
Final Cut Pro 11 for Mac allows editors to import, edit and export spatial video projects directly to Apple Vision Pro.

Timesaving Features, Blazing Speeds and Pro Creative Tools 

Final Cut Pro features advanced editing tools to help streamline creative workflows even further and save time:
  • Magnetic Timeline, a trackless approach to editing footage, offers a fluid way to trim and edit a project. Editors can add and rearrange clips seamlessly, making adjustments while keeping video and audio perfectly in sync.
  • With multicam editing, users can instantly sync multiple angles of a project and switch between shots during playback. And new keyboard shortcut options allow users to adjust the view of their timeline and reposition clips.
  • Optimisations for Apple silicon allow editors to play back more streams of 4K and 8K ProRes video at full quality, add playback effects and share their work with others at blazing speeds.
  • Editors can create a lightweight copy of their library with enhanced proxy tools, decreasing file sizes to make transfer times even shorter.
  • Using Compressor, editors can create custom export settings to deliver their work in a wide range of file formats, and import previous stereoscopic footage to reformat and pair with spatial video footage for an integrated editing experience.
  • Using Motion, users can create stunning 2D and 3D titles, generators and advanced visual effects that are accessible within Final Cut Pro.

Final Cut Pro for iPad 2.1

Final Cut Pro for iPad 2.1 brings beloved features to the touch-first editing experience. Powered by Apple silicon, Enhance Light and Colour is an intelligent way to improve colour, colour balance, contrast and brightness in video or still images in one simple step, and is optimised for SDR, HDR, RAW and Log-encoded media. With haptic feedback for Apple Pencil Pro and Magic Keyboard, users will feel a light pulse as they trim clips, move media, navigate the timeline and resize viewer clips to snapping points.
Other meaningful workflow improvements include a new vertical pinch gesture that can expand or minimise clip height in the timeline; the ability to dynamically adjust the size and position of the viewer in Picture in Picture mode; and timeline support for recordings at 90 fps, 100 fps and 120 fps on iPhone 16 Pro.
New inks for the Live Drawing feature on iPad let users add even more animations to videos with expressive new watercolour, crayon, fountain pen and monoline pen options. And the content library expands with new modular transitions, colour-grading presets and dynamic soundtracks, along with the ability to easily highlight and overlay visuals with Picture in Picture and Callout effects.

Final Cut Camera

Final Cut Camera 1.1 brings intuitive pro controls for aspiring and professional directors. The update offers users the ability to capture Log-encoded HEVC video in stand-alone or Live Multicam sessions, so users can take advantage of the amazing dynamic range of Log while benefiting from reduced file sizes and even more recording time. Final Cut Camera also allows users to enable a LUT preview while recording in Log, showcasing the vibrancy of the original scene in SDR or HDR with the Apple Log LUT. With iPhone 16 Pro, users can record beautiful and crisp 4K120 fps footage for even smoother cinematic slow motion, import it into Final Cut Pro for iPad, and begin their edit.
A new advanced level helps users precisely compose shots with roll and tilt indicators, and for top-down shots, Final Cut Camera introduces a crosshairs indicator.
Final Cut Camera 1.1 on iPhone 16 Pro shows the new crosshairs indicator.
Final Cut Camera now offers a new advanced level to help users precisely compose shots with roll and tilt indicators.

Logic Pro for Mac 11.1 and Logic Pro for iPad 2.1

Logic Pro for Mac9 and iPad10 supercharge song-writing, beat-making, producing and mixing, and are an excellent companion for Final Cut Pro editors. Today, that experience gets even better with the new Quantec Room Simulator plug-in, which allows users to tap into the legendary sound of the most acoustically accurate reverb ever created, built using the original schematics, algorithms and code from Quantec founder and inventor Wolfgang Buchleitner. Users can select the vintage Quantec QRS to add natural acoustic space to music while preserving sonic character, or the modern Quantec Yardstick for improved clarity and detail. The Quantec QRS technology is a great tool for video editors who want to add natural-sounding spaces to dialogue, foley and music.
“The Quantec Room Simulator has been a key element to my sound for many years, appearing on records like Passion and Us. I also used it to build harmonic drones to start my live set, which then evolved into songs like ‘Across the River’,” said musician Peter Gabriel. “It’s wonderful that Apple is bringing the Quantec QRS back to life as a plug-in for Logic users around the world.”
With Reorder Mixer Channels, users can rearrange channel strips by dragging them, and can even select multiple channel strips to reorder them collectively. To make it easier to find and add any plug-in directly using a keyboard command, Logic Pro for Mac users can now search by category, company name or even part of a plug-in name. Logic Pro for iPad also introduces Sample Folders, giving users access to their personal collection of samples directly from the built-in Sound Browser right from iPad, external storage and iCloud Drive.
Pricing and Availability
  • Final Cut Pro 11 is available today as a free update for existing users and for A$499.99 inc. GST for new users on the Mac App Store. New users can download a free 90-day trial of Final Cut Pro.
  • Final Cut Pro for iPad 2.1 is available today as a free update for existing users, and available on the App Store for A$7.99 inc. GST per month or A$59 inc. GST per year, with a one-month free trial for new users.
  • Final Cut Camera 1.1 is available today as a free stand-alone app on the App Store.
  • Logic Pro for Mac 11.1 is available today as a free update for existing users and for A$299.99 inc. GST for new users on the Mac App Store. Logic Pro for Mac 11.1 requires macOS 14.4 or later. For more information, visit apple.com/au/logic-pro.
  • Logic Pro for iPad 2.1 is available today as a free update for existing users, and available on the App Store for A$7.99 inc. GST per month or A$59 inc. GST per year, with a one-month free trial for new users. Logic Pro for iPad 2.1 requires iPadOS 18.1 or later. For more information, visit apple.com/au/logic-pro-for-ipad.
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  1. Final Cut Pro 11 requires macOS 14.6 or later, 8GB of RAM (16GB recommended) and 5.9GB of available disk space; some features require a Mac with Apple silicon and macOS Sequoia.
  2. Spatial video edited in Final Cut Pro can be exported and saved directly to Photos to be viewed later in Apple Vision Pro.
  3. Final Cut Pro for iPad 2.1 requires iPad with Apple M1 chip or later, or iPad mini (A17 Pro) with iPadOS 17.6 or later.
  4. Final Cut Camera requires iPhone or iPad with iOS 17.6 or iPadOS 17.6 and later.
  5. Transcribe to Captions requires macOS Sequoia.
  6. Some effects may not be compatible with spatial video.
  7. Requires processing with Canon’s EOS VR Utility v1.5.
  8. Mac Virtual Display 5K requires a Mac computer and Apple Vision Pro with software release coming later this year.
  9. Logic Pro for Mac 11.1 requires macOS Sonoma 14.4 or later, and 6GB of available storage space for minimum installation, or 72GB of storage space for full Sound Library installation.
  10. Logic Pro for iPad 2.1 requires iPadOS 18.1 or later, and an iPad with Apple A12 Bionic chip or later. Stem Splitter requires an iPad with M1 or Apple A17 Pro chip or later.

Press Contacts

Lené Ferris

Apple

[email protected]

Nelly Assayag

Apple

[email protected]